History
Scene and Context
Delve into the historical context that shaped the brilliant mind and distinctive style of Lawrence Gleadle.
Life in Nottingham
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In Nottingham during the 1920s and 1930s, a dynamic artistic scene unfolded, marrying traditional influences with the avant-garde movements sweeping through Europe. Small galleries and studios, nestled in the Lace Market and beyond, transformed into thriving hubs for local artists. These spaces provided a fertile ground for experimentation and a platform to showcase their evolving works.
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Painters, inspired by the changing times, boldly embraced vibrant colours and abstract forms, reflecting the dynamic spirit of the period. Nottingham's architecture became a canvas for artistic expression, with art deco elements weaving their way into public spaces. The cityscape transformed, seamlessly blending modernity with the echoes of tradition. As economic challenges loomed in the 1930s, Nottingham's artistic community became a source of resilience. Collaborations between local artists and community initiatives offered a creative escape from the harsh realities of the Great Depression. Nottingham's art scene in the 1920s and 1930s was more than a reflection of the times; it stood as a testament to the city's remarkable ability to adapt, evolve, and continuously nurture a strong cultural identity.
The Golden Age of Cinema
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The 1920s marked the Golden Age of Cinema, as the magic of moving pictures captured the collective imagination. The city's artistic landscape saw a revival of Art Nouveau elements, characterised by flowing lines, organic forms, and intricate details of cinema posters creating a sensory symphony.
Nottingham embraced this cinematic revolution with the emergence of stylish Art Deco movie theatres that blended modernist elements with a touch of luxury. These theatres became immersive spaces where the grandeur of Art Deco design seamlessly coexisted with the allure of the silver screen. Meanwhile, the cityscape provided a visual feast for residents and visitors. The cinema posters of the time became iconic representations of the era's film culture, with bold typography and evocative imagery luring audiences into the enchanting world of cinema.
Stafford and Co
Stafford and Co. was a printing company based in Netherfield, near Nottingham, England. It was founded in the 1880s and operated until the 1970s. It was known for its lithography, a printing technique that allowed for the creation of colourful and detailed images. Stafford's specialised in the production of poster art. These posters, whether advertising theatrical productions, travel destinations, or consumer products, were characterised by rich colours, intricate details, and a level of artistry that required lengthy training through a five-year apprenticeship in the printing industry.
The lithographic process allowed for a greater degree of artistic expression, enabling the creation of visually stunning posters that captivated audiences and left a lasting impression. The company produced influential posters that captured the essence of various cultural movements, events, and products.
Stafford and Co. was one of the largest and most successful printing firms in Britain at its peak. It employed over 1,000 workers and had branches in London. It also exported its products to many countries, such as France.
Stafford and Co’s posters are now considered as valuable examples of graphic design and advertising history. They reflect the social, cultural, and political changes of the 20th century.
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Read more about the story behind The Big-Head Man.
Artistic and technical skills with an apprenticeship lasting for five years.
Hands-on experience and application of the printing technique.
Precision and control in etching and printing the stone.
Various stages and tests to qualify as a lithographer.
Colour detail and the most sophisticated methods of chromolithography.
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The opportunity to work on a variety of projects and develop one’s abilities.
Creativity and expression in drawing the images on the stone.
The legacy and heritage of Stafford’s and Co. within the printing industry.